Leni refenstahl essay

Leni Riefenstahl — Born Helene Riefenstahl German director, scriptwriter, actress, author, and photographer.

Leni refenstahl essay

Nazism Fatefully, it was this injury that introduced her to mountain films as she came across an advertising poster for Berg des Schicksals Mountain of Destiny a mountain film directed by Dr Arnold Fanck on her way to the doctor.

Only 18 months after the day she became aware of mountain films and her new career, Riefenstahl appeared in her first film directed by Dr Arnold Fanck.

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Fanck was to become more than her lover and director, he was to become her mentor and one of the main influences on her directorial career which was to be the pinnacle of her success. Furthermore, Fanck enjoyed experimenting with certain methods using the camera and editing techniques in new and Leni refenstahl essay ways.

She later experimented with filters, telephoto lenses, tracking as well as underwater filming and slow motion in her coming films highlighting the influence of Fanck Leni refenstahl essay encouraged her experimentation. When editing his films such as Der beilige Berg, Fanck allowed Riefenstahl to assist in the very important process of montage, a technique Fanck used avidly in his films and something Riefenstahl would later also use frequently.

As she studied the technique through its inventor Sergei Eisenstein who used montage, lighting and editing in his film, Battleship Potemkin making him also an important influence.

Her first directorial debut was to be a decisive influence on her career path. This all changed when she became the director of The Blue Light in The film at its completion met international adulation and while reviews were mixed none could fault Riefenstahl on technical mastery.

As the film opened in Germany and around the world it became obvious that Riefenstahl had achieved overall success, beyond all expectations. The Blue Light was even awarded a silver medal at the first Venice Biennale that year.

Leni refenstahl essay

Riefenstahl still saw herself primarily as an actress, but after her new found success, expected to continue filmmaking as a career. If The Blue Light had not influenced her career path she would not have reached her prominence with her films such as Triumph of the Will and Olympia to come.

Riefenstahl did not only gain wider international fame, she also gained the admiration and support of Adolf Hitler. From then on, he had followed her career with interest, The Blue Light in particular catching his imagination.

The result was Triumph of the Will. Being an avid admirer of Riefenstahl, when Hitler received a letter from her asking to meet, he accepted without hesitation.

Leni Riefenstahl led a long and illustrious career under the Nazi regime, despite its sexist nature, establishing international acclaim and pioneering technical advances in lighting, creative editing and camera movement. This however is only a small section of what contributed to her significance, as her achievements as a director were overshadowed by her relationship with the Third Reich.

Both opposing views agree that the significance of a person is not only based on the impact they had on the period in which they lived, as it is also their lasting impact, their legacy that gives them their significance. This single act would lead to her greatest success and her ultimate demise.

True to his word, Adolf Hitler provided Riefenstahl with an unlimited budget to film the annual Nazi Party rally at Nuremberg in Art in other words, is perceived as a form of power… especially through film.


From the opening scenes of Triumph of the Will Hitler is portrayed as an almighty being descending from the clouds and mist to earth, the saviour of his people in their time of need.

During the film Hitler is always elevated, however Riefenstahl uses telephoto lenses for close-up shots of Hitler and then to a soldier or worker in the crowed to symbolise the peoples intimate connection with their Fuhrer.

It is the portrayal of Hitler in her film that has caused the most publicity despite the fact the film was recognized as a masterful, epic and innovative work of filmmaking, winning many awards such as the gold medal in Venice in and at the World Exhibition in Paris insurpassing all of her previous films; Victory of Faith and The Blue Light.

She was heralded before the advent of the War, but after she was condemned.

Essay on Leni Riefenstahl | Year 12 HSC - Modern History | Thinkswap

Disregarding the controversy that followed it after World War II and the fact it was commissioned by Hitler, would it have been enough to give Riefenstahl the status of a significant figure?

It would most likely not have. This is what propelled Riefenstahl into the realm of a significant figure in history. The infamous reputation she gained from moving among the Nazi hierarchy has remained a heated topic of debate till this day and despites her unrelenting refusal of her impact; it has still contributed to her significance.

The allied forces certainly thought she had a drastic impact on her period through the Nazi Party; otherwise they would not have imprisoned her and put her on trial.Leni Riefenstahl Words | 15 Pages. Personality in the Twentieth Century: Leni Riefenstahl a) Describe the major influences that led to the rise to prominence of .

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Leni Riefenstahl is primarily significant due to directing the most “imposing propaganda films in support of the National Socialist (Nazi) Party”. During the period when she was most successful as a director, Riefenstahl would argue she had little impact on the mindset of her fellow German’s, stating that already 90% were in favour of Hitler before the release of her films deemed propaganda.

Leni Riefenstahl Essay Outline the key events in the life of Leni Riefenstahl Leni Riefenstahl was born on the 22nd August in Berlin and in her young life grew a developed skill in classical dancing which led to many .

Free Essay: Leni Riefenstahl’s Triumph of the Will Propaganda I am going to discuss whether Leni Riefenstahl’s Triumph of the Will () was propaganda, or. Essay on Leni Riefenstahl’s Triumph of the Will Propaganda Words | 6 Pages Leni Riefenstahl’s Triumph of the Will Propaganda I am going to discuss whether Leni Riefenstahl’s Triumph of the Will () was propaganda, or .

Leni Riefenstahl Essay Leni Riefenstahl Leni Riefenstahl, a dazzling individual that has lived through and experienced many things that no other person may have. She has lived through the World War One, Great Depression, Nazi Germany, World War Two, the Cold war and September

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